- 33 Tracks. In 2016, Billboard included him in its 40 Under 40 Rising Stars. , because it was sort of insular between Billie and Finn, and Billie was really driving all of the visual concepts herself, there was a natural thematic through-line that, fans would really understand. Billie Eilish is a cultural phenomenon. The album was created with the intent to be consumed as a whole, and I think that may have become an after-thought for some artists in this single-focused streaming era. It obviously takes time because we want to make sure Billie is taken care of, [but] Interscope and Darkroom have been amazing partners from the start, and all the way through. I think that has helped us strengthen our relationship outside of the industry. We really appreciate his support, guidance, and the resources he has provided for us and Billie to help build her base and see her creative vision through. He is amazing at utilizing all of the resources around him to make the most out of every opportunity.”, That resourcefulness is a skill Lubliner started honing while he was an undergrad at USC Thornton. He also brings in really amazing people to execute that vision.
BG: Danny and I both feel really lucky to work with such a great team. “Billie was really driving all of the visual concepts herself, [so] there was a natural thematic through-line that we felt fans would really understand.”.
Years ago he reached out to me about working with a producer client of mine. I started my own record label. Now the official total has risen to 6.4 million. The song had already crossed into viral territory overnight.”. The singer and her songwriter brother, Finneas O’Connell, have created a debut body of work that transcends genres, reflecting the vast multi-artist listening habits of the music streaming generation – while at the same time tearing apart the notion of the album’s death in the age of the playlist. “It was probably the best moment of my life. 34711 Followers. “Ocean Eyes drove all of us to take notice,” remembers Rukasin. Here, Goodman and Rukasin take us behind the scenes of how Eilish’s team built a truly global alt-pop superstar…. I believe music, someone’s art, means a lot more to a lot of people than simplifying it that way, but I think [streaming has] really helped that connection grow as well. Includes email address and more for managers Danny Rukasin of Hard 8 Working Group Management and Brandon Goodman of Best Friends Music; and publicist Alexandra Baker of High Rise PR. Billie and Finn have had plenty of opportunities to work in any studio [out there], but they prefer to work at home where they feel the most creative and comfortable. He sent me a very funny, sort of cavalier e-mail. DR: We are in a unique situation as we have a major label behind BIllie but it’s actually under a joint venture with Darkroom, run by an amazing up-and-coming executive in Justin Lubliner.
Everyone has their role and excels at what they do. Equally as important is that her and Finneas focused on making a cohesive body of work, an album of songs that were meant to be consumed together. He did everything in his power to let her, her team, and her family know that Darkroom was the right partner to help her become the biggest artist in the world. They really help to also filter and keep things in perspective. hit No. Classical music streaming service Primephonic’s new initiative, Ludwig, is more than just a marketing wheeze. Hearing her name called five times (the fifth award being for best vocal pop album) at the GRAMMY Awards on Jan. 26, 2020, Lubliner, in his own words, “went crazy.” “I was the guy everyone was looking at, screaming and jumping in my seat, for sure,” he said. We as management have tried to filter a lot of things, but she’s got an amazing family around her with her mom and her dad and her brother who all pull it together and have different roles in her life and on tour.
“Having met with so many artists in my career, you start to get this instinct radar, and mine was at 100 percent when I met her,” he said. The World’s Greatest Managers is supported by Centtrip, a specialist in intelligent treasury, payments and foreign exchange – created with the music industry and its needs in mind. At The Disco and Paramore. I didn’t want to change anything; I just wanted to help.”, “I trusted her creativity and her vision and her music, and she trusted my ideas to build her and get her music heard by the public. as it said ‘Eric Motherfucking Palmquist’, which was hard to ignore! Ocean Eyes drove all of us to take notice. MGMT: Danny Rukasin danny@hrd8wrk.com Brandon Goodman brandon@bestfriendsmusic.com. Over time, Finneas and I became friends, and I guided him a little bit with what he was doing with his band – a local kind of garage-pop band. Justin is a machine. The singer and her songwriter brother, Finneas O’Connell, have created a debut body of work that transcends genres, reflecting the vast multi-artist listening habits of the music streaming generation – while at the same time. Darkroom’s first client, dance/electronic musician and producer Gryffin, coincidentally studied engineering at USC. Danielle [Bregoli, aka Bhad Bhabie] was in a very bad place, around very bad people, when I first signed her. [In Billie’s case], we were aware that the timing had to be right for an album and the demand had to be there for fans to consume an entire album. It was still early stages, but she had a vision of how she wanted what she was doing to be put out in the world. We do things that make sense to us and for our artists - and that isn't a genre specific approach. They did not just want to release a bunch of songs that did not creatively fit together. From left: Barbara Bregoli, Bhad Bhabie, Kluger and Roof. Danny has 6 jobs listed on their profile. My style, especially with a young act, is to make them learn about their finances, investing and how their career -- I hate to say it -- could end tomorrow.
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